August 21, 2012

Carpe Diem: the Smile

There are carpe diem moments.

And then there‘s the instant you didn’t realize might be a carpe diem moment.  And you drop the carp back into the river.

Scene:  Michael’s Pub in Manhattan, where Woody Allen played with his jazz band for years, circa 1974. Much more than a pub, it had fairly classy place settings, and offered a full menu, beyond my resources for a weekday night.
But I wanted a glimpse of the live Woody Allen: was he really quirky looking? How did he walk? Was he natural on stage?
So I glided unobstrusively into Michael’s at about 6 pm. and stood, awkward and invisible, by the bar at the back. Too shy to snag a waiter for a drink. Almost too shy to breathe.
Sure enough, a few minutes later he walked out in his marginally slouchy pants, carrying his clarinet and nodding happy greetings to the sprinkling of musicians. He proceeded to prepare the clarinet, clean it, test the reed, tune it and so forth.
Then he glanced up and smiled at someone sitting behind me at the bar. A big, broad, generous, humorous grin. I stared back. Then turned around to check who he was smiling at.

There was no one there…no one. He was smiling at me.

Was I a suave young Manhattanite who would offer Woody a glass of wine, or perhaps a ginger ale? Or laugh and wave back nonchalantly and change my dinner plans?
No way. I was out of there so fast I almost fell.
Shortly after that, Diane Keaton, an exact contemporary of mine, was doing all sorts of funny, silly, human, legendary roles.

No carp for me that day. 

August 10, 2012

Somalia has enormous social, economic and health problems.
Renu Chahil-Graf has been working on HIV in Somalia and reports on the acute HIV problems faced by the Somali people, highlighting an alarming ignorance about how it is acquired, prevented, much less treated. Renu has been working tirelessly in very challenging circumstances and wrote the article cited below.
 Photo credit UNAIDS

The 1949 Hudson

As a sequel to the vintage car blog, http://lexieintrator.blogspot.fr/2012/07/chrome-nostalgia-cars-i-have-known.html and http://lexieintrator.blogspot.fr/2012/07/puss-on-peugeot.html  I asked Steve to send some shots of his 1949 Hudson.

Two-toned and beautiful, she's still up and running in 2012. Treated with respect and a lot of work. Great to ride in and draws smiles bigger than a front grille all over Cape Cod. 











Boat launching with Dave                                                                 Tracey's first ride

at Ballston Beach


in Steve's garage...

Plus ça change, plus ça change......banks on a roll.....

I love browsing in both print and cyberspace.
My in-laws outside Paris still have a full set of the Encyclopedia Britannica (15th Edition 1973-1974),  a tradition which is becoming rare, even quaint. And while browsing.....
I couldn't resist retyping this delicious paragraph from p.707 in the section entitled (portentously?) "Industrial Finance".

Long-term and medium-term lending

            “Banks that do a great deal of long-term lending to industry must ensure their liquidity by maintaining relatively large capital funds and a relatively high proportion of time deposits, as well as valuing their investments very conservatively. Such banks, notably the French banques d’affaires and the West German commercial banks, have developed special means of reducing their degree of risk. Every investment is preceded by a thorough technical and financial investigation. The initial advance may be an interim credit, later converted into a participation. Only when market conditions are favourable is the original investment converted into marketable securities, and an issue of shares to the public is arranged. One function of these banks is to nurse an investment along until the venture is well established. Even assuming its ultimate success, a bank may be obliged to hold such shares for long periods before being able to liquidate them...”

July 29, 2012

Daphne Transformed - Sculpture by Renée Sintenis


Daphne Transformed

I was born in sweat and traces of blood,
then grew young and tall and smooth, 
lips like apricots.   His desire was relentless
as he stalked me through mortals’ fields,
and I was trapped in velvet skin, sweating shame
beneath his fetid hunter's breath.
Today I’m unassailable in my leaves and ivy chokers,
replaying days of freedom,
storied nights of goddesses and men….
It’s been so many years since he transformed me,
and no one dares to touch my cracking bark.
Books will tell you I was beautiful, then saved,
but I know the curse of beauty, how I’ve changed, 
that tears are merely amber and what myth is.

Alexa Intrator
June 2012


Sculpture by Renée Sintenis, 1930, 
courtesy of The Sackler Gallery
Cambridge, Massachusetts


















Puss on a Peugeot


Cat on a Hot Tin Hood
+ + +
aka Puss on a Peugeot

Notice his choice of car with a sleek, aerodynamic look
in a dark grey that enhances his black and white fur pattern. 
He also appreciates the interior,
with its selection of velvety scratching rugs.
  
Photo sent with love from Rosemary

July 22, 2012

Chrome nostalgia: Cars I have known

The black 1949 Chevy!
Pre-seat-belt and safety-seat of course, I could roll from one side to the other cranking open the main windows and wedging the small triangular windows, or sling my wrists through the soft side-straps or poke at the fabric covering the ceiling. If memory serves, the direction signals were small reflector flaps that rose up from flat grooves on the left and right sides of the car. And the Chevy was black. All Chevies of that vintage were black. In fact most cars on the road in Geneva were black.
The upholstery was very soft, there was a radio that didn't work, a speedometer that waggled between 0 and 85, but I was the back-seat princess in my big black limo.


Car number two, the Vauxhall.  I believe we had a new 1955 model in light gray, a change from black, and we loved it.  Smaller than the Chevy, but more modern, it served us well.  I identified with it because it looked like it was wearing braces like me.
But we crossed the ocean several times, and when we returned we needed a second car, and it was.......

1957 Austin Baby A!  My father was proud to have purchased a demonstration vehicle, new but at a used price.  It had cream seats and a little parp-parp horn, and seemed perpetually cheerful. So were we --no way you could be broody in a Baby A. Look at that cute little snoot.  It was dark green and adorable.

The next 'big' car was a used Humber Hawk, which lasted about a year. It needed repairs often, not a real winner, but it reminded us of the Vauxhall.

This was replaced by a short-lived older Humber Super-Snipe. We adored its cushy leather seats and back-seat fold-out trays in polished burl that were oh so luxurious. But it was always in the shop, a real albatross (who was my father's car dealer?)

At some point there was a Simca, then another. And possibly a Renault Dauphine for about five minutes. Here's the 1961 Simca Aronde, but I must check facts with both brothers to get the complete institutional memory. I recall learning to drive on a small Simca with snapping gearshift that slipped backwards on moderate hills. Terrible gears. Oh well. 
Back to the US for a year's sabbatical, my father borrowed a spare car from his brother who owned Franklin Auto Glass in Philadelphia:  a Chrysler, 1951 or perhaps even a bit older than that. two-toned cream and maroon. A bit creaky but fun with white-wall tires and lots of chrome.


Ah, and then the Riley!



My dad went retro with a 1949 model-- dark green with a sticky beige rubber roof.  It was a sprawling, low-slung car and not unobtrusive. It had a sort of roar that cleared animals from the road before we'd rounded the bend. It had dark ivory seats and the heavenly smell of good leather.
However there was a defective muffler, and for about half a year we inhaled noxious fumes and had to keep the windows open all winter. We all loved the Riley, but the garagiste couldn't repair the toxic leak. We couldn't inhale leather minus the fumes. We had to sacrifice style for health.

Another Simca.         Bor-ing.


I moved to the US, got my driver's license at age 21 and ended up sharing a
BMW 2002, a spiffy car which I totalled on the Baltimore-Washington Expressway :--(( ........

.......and then buying my very own car:
1970 Fiat 850 Spider, convertible, red, sporty and dangerous! Powered by a sewing-machine engine, it made a great fuss of doing fifty, but fun!




Back to Europe in 1978 and it was a shared 1968 red VW Beetle that had already done too many kilometers, then a green VW Beetle on loan from a friend,
and then a used gray Datsun, a used red Honda Civic, a new gray Austin Mini-Metro that gave up the ghost before it was four years old,
a used Toyota,
a used dark green Nissan Almera (both great cars)...............


And today I have my 2010 Nissan Micra Lolita Lempicka
with all her little bells and whistles:
bluetooth look-ma-no-hands phone, GPS, leather seats, automatic transmission.
I guess I grew into it.

* * * 
Post-Scriptum

The Bugatti in a Box


What I haven't mentioned is the Bugatti that we didn't own.

A black pre-World War II Bugatti, probably the same 1934 vintage as the  above, was locked away in a garage on the grounds of the rental property we lived in for twelve years in St. Maurice, outside Geneva, from 1954 to 1966. It was mouldering away for years before we children found the keys up in the attic of the house and pried opened the door of the garage/box. There it was, in its very faded splendor: neglected? forgotten? Of course we showed it off to friends and acquaintances and acquaintances of acquaintances who loved cars.  Then one day it wasn't there. Disappeared.      
Bye-bye Bugatti. Hello cruel world. 

Chastened, we continued driving our used Simca and kept our eyes on the road.